<www.siff.net>

it's starting to take more energy to refocus my priorities after a day at work than it's worth.

i'm getting frustrated.

i killed a character last night. i've never done that before, and it was both terrifying and liberating all at the same time.

i just got my hands on a 179 page OPERATING AND MAINTENANCE MANUAL for a muscle pump used in firefighting aboard deep sea vessels.

i rule.

disconnecting to only discover a gaping hole in my heart.

i'm using my t-shirt as a napkin.

just made a press kit for queen. that was kind of exciting.

here's a sample of the section where i am interviewed:

3) The film has a very unique look and feel, what were the motivations behind the lighting and color schemes?

“I think the lighting as well as the look and feel is really something unique and bold, and I am proud to have created it. I have always loved lighting with natural light or with lots of practical light. In fact I did not use any additional lighting for the film besides the lamps you see. Our amazingly talented producer, Kalyn Nardecchia, was on set while I was hooking all of the lamps up to the power cords behind the couch, and she actually said: ‘You are using too many lamps, it’s completely ridiculous and doesn’t look natural at all!’ I asked her to trust me, and of course she did. Once she saw the dailies after the shoot, she simply responded: ‘I’ll never doubt your use of lamps ever again!’”

first sentence. complete.

name: madeleine e. (aka: maddie)
country: south korea
year of origin: 1992
tonnage: 51,000 tons
machinery: single shaft, diesel; 46,800 hp
service speed: 23.5 knots
capacity: 4,000 6m units; 240 reefers
builder: W.c.c. heavy industries
operator: advanced industrial globosystems

such a great day

why do we fall down? so we can pick ourselves back up.

for my lady:

you know what that means:

what i listened to every day one summer: